Dover Thrift Edition; 85 p., plus 2 pages listing other titles; paper mildly age-toned but not brittle; binding firm; pictorial wrapper has minimal wear. View More...
263 p., clean and unmarked--text block fine but detached from spine and boards. Needs skillful repair.The pictorial end pages are fine, and the area designated for writing name of owner has not been filled in. The yellow board are clean with little edge wear but the plastic coating is crinkled--perhaps the volume was exposed to heat. 32mo. View More...
First ed. thus; 251 p., immaculate and unmarked except for embossed seal of former owner; binding firm; patterned boards with bright gilt lettering on dark green spine are pristine; green case clean and unfaded ut with a little rubbing at lower edge--which keeps this from being "like new." View More...
Rinehart Editions, no.9; 338 p., plus list of other titles in the series, clean and unmarked; binding firm; green wrapper s little smudged, some rubbing at edges. Good reading copy. View More...
No slipcase--sorry--but unfaded orange boards with bright gilt lettering are in fine condition, nonetheless, and binding is tight. The 204 p. are immaculate and unmarked except for pencilled price of former book seller of $9.95, and the delicately dreamlike ill. by Lawrence Beall Smith, many full-page are quite wonderful. Faint "old book smell" enhances the charm of this volume. View More...
16th printing; 122 p., unmarked but stained at margins after p.105 and at back panel of photographic wrapper. Half t.p. clean but creased. View More...
491 p., clean and unmarked, except for price on front end page in tiny letters, and tiny notations on back end page; frontis. ill.; binding firm; despite absence of d.j. board have only slight edge wear, but gilt lettering on spine is somewhat faded though still legible. View More...
168 p., plus 2 p. of list of other titles, immaculate and unmarked; paper mildly age-toned but not brittle; binding firm; little wear to colorful wrapper. View More...
"Dover Thrift Edition;" 103 p., immaculate and unmarked; paper mildly age-toned but not brittle; binding firm;minimal wear to glossy wraper. View More...
440 p., plus 14-page catalog of "Valuable and Interesting Works for Public & Private Libraries Published by Harper & Brothers, New York," all clean and unmarked anywhere; frontis. ill.; binding firm though there are signs of incipient cracking at gutters, some scrapes on burgundy back paste down; forest-green boards have faint mottling, but gilt lettering is still bright--including holograph of author's signature on front, and series "Charles Reade's Novels" on spine. Deserves some skillful repair. View More...
Foreword by John Galsworthy; 211 p., clean and unmarked but pages of front matter are damp-stained; red end pages are clean and unstained but edges are dog-eared, as are the edges of pictorial wrapper. Binding firm; pictorial wrapper reubfirced wutg clear taoe covering the abrasion along spine and at corners. View More...
395 p., clean and and unmarked on fine paper only mildly age-toned;pref. by Ernest Rhys, editor of Everyman's Library; beautiful end pages with art nouveau design; black ribbon book mark; leather-look boards in sepia with faded lettering on spine are only slightly bumped but badly scraped in two places. 12mo. View More...
254 p., plus bio of artist, clean and unmarked anywhere--price of $58 on back paste-down; black boards have serpent, vine and urn illustration that might be hand-painted--traces on inner panel of mylar wrapper, which also has hand-painted lettering. Some bumping & rubbing of edges; bright gilt lettering on dark green patch on unfaded yellow spine. The full-page color ill. within are those in other edition of 1944. Possibly the same edition with the cover customized. View More...
140 p., plus catalog, immaculate and unmarked; binding firm; clean pictorial wrapper shows a little wear at lower corners, the back panel one creased. View More...
Ornamentation around gilt oval patch on which lettering appears is style of late 19th c.; 401 p., clean and unmarked anywhere on strong paper only mildly age-toned; binding firm; boards have slight wear. Many full-page ill., including frontis. but artist not credited. View More...